Sunday, January 9, 2011

I Can't Think about Brunch -- I'm Too Anxious about Tomorrow!

Sorry that I have not posted a blog in several days. And many thanks to those who inquired about my absence. I apologize for shirking my duties here. I’ve just been in a post-holiday slump, plus I’ve been trying to finish another (overdue) chapter for the book I’m writing for Candlewick with Julie Danielson from Seven Impossible Things Before Breakfast and Betsy Bird from Fuse #8 fame.

If you’re curious about the kind of stories you'll find in our book, you might like reading Betsy’s recent blog about the time the editor of one children’s book periodical threatened to hit the editor of another children’s book editor over the head with a chair.

Been there, considered it, dismissed the idea.

Editors of children’s book periodicals have notoriously hard heads.


A WEEKEND FOR NEWBERY NERDS AND CALDECOTT COGNOSCENTE

Just before the holidays, I received this e-mail from a book-loving friend:

Is there something wrong with someone who counts down days til ALA announcements instead of Christmas? Oh well. Books have been some of my best friends over the years.

Today, Jonathan of the Heavy Medal blog likens this day to the night before Christmas.

I can identify.

From the time I was a kid, Newbery/Caldecott Day has felt like a holiday to me.

When I was younger, I had to wait till the award news filtered down to our local library. I still remember the librarian telling me that “a book called SUMMER OF THE SWANS won,” but adding that it wasn’t available yet, as the library’s copy was still being processed. She must have seen the disappointment on my face, because a few minutes later she retrieved the book from in back and let me take it out. I was the first person in our library to read the book. I wonder if a copy of the book with “c. 1” on the back pocket still sits on the shelf at Detroit’s Edison Branch Library….

As I got older, I got more involved – and more cunning. On Newbery Day I’d phone the “press room” at the ALA convention and, pretending to be a journalist (think I fooled anyone?) I’d inquire about the winning books myself.

Later, when I grew up and started working full time, I’d sneak away from my jobs with a pocketful of quarters and dimes and call the convention from the nearest pay phone.

For the past twenty years or so, I’ve taken the day off work. I used to stay up late that Sunday night, catching-up on possible winners that I still hadn’t read. Now I stay up late checking the internet for gossip and “leaks.” If the awards are announced very early in the morning, I’ve even been known to sleep in my clothes, so I can rush out the door to track down the winning books as soon as I hear the news (oh don’t worry, I come back and take a shower and change afterwards.) Newbery morning is spent racing around in my car, looking for the winning titles at bookstores, text-messaging fellow book-collectors, and generally behaving like a crazy person.

Things don’t slow down till afternoon. That’s when I go out to lunch, Newbery winner in hand, and sit reading – evaluating whether the committee made the “right” choices, thinking about the books that didn’t quite make it…and even thinking ahead to next year’s winners. I also think about how things have changed over the years…from waiting to hear the news from my local librarians…to seeking it out on my own…all the way till today when we learn the winners almost instantaneously from blogs, tweets, or even from watching the presentation live on the internet.

Thinking back on this, I see how technology has changed from throughout my life. And I see how my own life has changed from year to year.

Newbery Day – like a birthday, like Christmas – is a once a year event and an annual mile-marker in my life.


BUT WHAT WILL WIN?

Will tomorrow be as laid-back as Newbery Day 2008, when I discovered I had already purchased and read the entire Newbery slate (Winner: GOOD MASTERS! SWEET LADIES by Laura Amy Schlitz and Honors ELIJAH OF BUXTON (Christopher Paul Curtis), THE WEDNESDAY WARS (Gary D. Schmidt) and FEATHERS (Jacqueline Woodson) months earlier or will it be as dramatic as 1987 – a year the winners weren’t announced till late afternoon and I drove through a blizzard to the bookstore, dodged cars across a busy street with foot-high snow, then discovered the store was closing early due to the weather and stood outside in the dark and cold, pounding on the wooden door until someone let me in to get a copy of THE WHIPPING BOY?

I dunno.

It could really go anyway. Many blogs are predicting great things for ONE CRAZY SUMMER by Rita Williams Garcia, KEEPER by Kathi Appelt, THE DREAMER by Pam Munoz Ryan, DARK EMPEROR by Joyce Sidman, COUNTDOWN by Deborah Wiles, THEY CALLED THEMSELVES THE KKK by Susan Campbell Bartoletti, SUGAR CHANGED THE WORLD by Marc Aronson and Marina Budhos, and several other titles.

Personally, I’ve got a soft spot for a couple titles that didn’t make much of a dent on most Mock Newbery lists: TURTLE IN PARADISE by Jennifer Holm and TOUCH BLUE by Cynthia Lord.

I tend to agree with those who think this year may hold some big surprises. I truly can imagine a book that was on nobody’s radar surprising us all tomorrow morning. One would think that, in today’s techno-tweeting world, that would be near-impossible. After all, hasn’t every literary website and book-blog analyzed every possible title to within a inch of its gold medal? Yet, year after year, the Newbery keeps surprising us. In the past decade alone, half of the winners have been surprises:

2001 : A YEAR DOWN YONDER by Richard Peck. In retrospect, it seems like a foregone winner – the type of book everyone would expect to win – yet I don’t really think it was considered a true contender by anyone before it actually won the prize.

2002 : A SINGLE SHARD by Linda Sue Park. I believe it won a single Mock Newbery in the weeks right before the award, but this pretty-much-under-the-radar-novel surprised most of us when it won the prize.

2003 : CRISPIN : THE CROSS OF LEAD by Avi. Did ANYONE predict this one?

2005 : KIRA-KIRA by Cynthia Kadohata. Completely. Unexpected.

2007 : THE HIGHER POWER OF LUCKY by Susan Patron. Most overheard comment on the day this award was announced: “The Higher Power of What? By Who?” Definitely a surprise winner.

So, hang onto your seatbelts, as 2011 may be the year for another surprise Newbery.

Caldecott too.

And of course the Printz. Has any book emerged as a true frontrunner for that prize – my second favorite literary award after the Newbery.


FEELING PSYCHIC?

Do you have any strong feelings for a completely out-of-left-field winner for the Newbery, Caldecott, or Printz? A book whose title really hasn’t been bandied about much in recent weeks? If so, post your titles in the comments section before tomorrow morning and prove your powers of ESP and/or literary acumen.


IN OTHER AWARD NEWS

ONE CRAZY SUMMER by Rita Williams Garcia just won the Scott O’Dell Award for Historical Fiction. She joins the following past winners:

1984 / THE SIGN OF THE BEAVER / Elizabeth George Speare
1985 / THE FIGHTING GROUND / Avi
1986 / SARAH, PLAIN AND TALL / Patricia MacLachlan
1987 / STREAMS TO THE RIVER, RIVER TO THE SEA / Scott O’Dell
1988 / CHARLEY SKEDADDLE / Patricia Beatty
1989 / THE HONORABLE PRISON / Lyll Becerra de Jenkins
1990 / SHADES OF GREY / Carolyn Reeder
1991 / A TIME OF TROUBLES / Pieter Van Raven
1992 / STEPPING ON THE CRACKS / Mary Downing Hahn
1993 / MORNING GIRL / Michael Dorris
1994 / BULL RUN / Paul Fleischman
1995 / UNDER THE BLOOD RUN SUN / Graham Salisbury
1996 / THE BOMB / Theodore Taylor
1997 / JIP, HIS STORY / Katherine Paterson
1998 / OUT OF THE DUST / Karen Hesse
1999 / FORTY ACRES AND MAYBE A MULE / Harriette Robinet
2000 / TWO SUNS IN THE SKY / Miriam Bat-Ami
2001 / THE ART OF KEEPING COOL / Janet Taylor Lisle
2002 / THE LAND / Mildred Walker
2003 / TROUBLE DON’T LAST / Shelley Pearsall
2004 / THE RIVER BETWEEN US / Richard Peck
2005 / WORTH / A LaFaye
2006 / THE GAME OF SILENCE / Louise Erdrich
2007 / THE GREEN GLASS SEA / Ellen Klages
2008 / ELIJAH OF BUXTON / Christopher Paul Curtis
2009 / CHAINS / Laurie Halse Anderson
2010 / THE STORM IN THE BARN / Matt Phelan

SIX FUN FACTS about the Scott O’Dell Award:

* Though established in 1982, no prize was given the first two years because no book was deemed worthy.

* Though it seems strange that Scott O’Dell himself won an award that bears his name, this is not the first time this has happened. Laura Ingalls Wilder won the inaugural Laura Ingalls Wilder Medal in 1954.

* Women writers have won twice as often as men: 18 to 9.

* Two O’Dell winning books have gone on to be Newbery winners: SARAH, PLAIN AND TALL and OUT OF THE DUST.

* Two have gone on to be Newbery Honors: THE SIGN OF THE BEAVER and ELIJAH OF BUXTON.

* In this year’s winner, ONE CRAZY SUMMER, the protagonist is shown reading a Scott O’Dell book, ISLAND OF THE BLUE DOLPHINS.

ONE SCARY FACT about the Scott O’Dell Award:

*Well, scary to me. How can an award for historical fiction be given to book set in my own lifetime??? This year’s winner, ONE CRAZY SUMMER, is set in 1968, when I was nine years old. I guess it’s time to face facts: I am now, officially, old!


OBITUARIES (WHAT A SEGUE!)

A couple weeks ago I started preparing this list of children’s book creators we lost in 2010. Since then, SCHOOL LIBRARY JOURNAL has publishd a list of their own. I'm not sure how much overlap there is, but here goes:

J.D. Salinger, author of the honorary young adult novel CATCHER IN THE RYE (would it have been published as an adult book today?) died January 27 at the age of 91.

Lucille Clifton died February 13 at age 73. She was best known for the “Everett Anderson” series.

Patricia Wrightson (THE NARGUN AND THE STARS; A LITTLE FEAR) died at age 88 on March 15.

Newbery-winner Sid Fleischman (THE WHIPPING BOY; GHOST IN THE NOONDAY SUN) died at age 90 on March 17.

William Mayne, author of the “Earthfasts” trilogy, died at age 82 on March 24.

“Poppy Cats” author Lara Jones died on March 26 at age 34.

The Caldecott-winning illustrator of OWL MOON, John Schoenherr, died April 8 at age 74.

WEDNESDAY WITCH author Ruth Chew died on May 13 at the age of 90.

Joan Steiner, who created the eye-boggling “Lookalikes” books died on September 8 at age…well, she left special instructions saying she didn’t want her age revealed!

Clifford B. Hicks, who created the “Alvin Fernald series” (Amy Carter’s favorite childhood books!) died at age 90 on September 29.

Eva Ibbotson, author of THE SECRET OF PLATFORM 13 and others) left us on October 20 at age 85.

Betty Jean Lifton, whose book CHILDREN OF VIETNAM (written with Thomas C. Fox) was nominated for both the National Book Award and the Newbery Medal, died November 19 at age 84.

Remember the Belgian comic strip cartoon Tintin? Many felt the character was inspired by the Danish actor Palle Huld, who died on November 26 at age 98.

Ruth Park, who won the Boston Globe-Horn Book Award for PLAYING BEATIE BOW, died December 14 at age 93.

Elizabeth Beresford, who created the British series about the Wombles died on Christmas Eve at age 84. How could she not have become a children’s writer – her godparents were Walter de la Mare and Eleanor Farejon!


AND THE FIRST AUTHOR FOR THE 2011 LIST

Dick King-Smith died on January 4 at age 88. Though he did not publish his first book until age 54, he made up for lost time by publishing over one hundred titles in the years since. He was best known for BABE, THE GALLANT PIG, which was later made into a major motion picture. It must have seemed foolhardy to attempt a story about a pig, in light of the fact that a children’s book classic, CHARLOTTE’S WEB, was already considered the definitive novel with a porker protagonist. But BABE turned out to be highly-praised by critics and beloved by readers – and achieved classic status of its own. The author’s 2001 autobiography, CHEWING THE CUD, was also critically-acclaimed.

To quote the film, if not the book: Well done, sir, well done.


NOTE TO COLLECTORS

If you’re a fan of the recent Frida Kahlo picture book, ME, FRIDA, written by Amy Novesky and illustrated by David Diaz (Caldecott winner for SMOKY NIGHT), you might be interested in a special “limited edition bound presentation case” for the book.


According to the illustrator, “Each case and its contents are numbered and marked in a unique manner. There are no two alike.” The contents include:

Interior case, front cover, original drawing of Frida, under vellum.

Announcement sheet, and Limited-Edition print of Frida on the Headlands, printed on 100% cotton, archival, acid-free paper.

Original sketch created in preparation for the paintings in Me, Frida, in vellum envelope.

Early manuscript with notes, signed by the author.

Copy of ME, FRIDA, signed by the author, and illustrator.

For more info, here’s where to find out more.


REQUEST FROM A BLOG READER

A friend of this blog recently sent me this query:

I have never taken the time (busy librarian that I was)to record my books, so when I want to find a specific title I'm not really sure what shelf it is on.
Space is so precious that I end up shelving books by size. And when I see a
desirable title in a bookstore or book sale I don't often remember if I already
have it, or what edition I have, or what the condition is.

I want an electronic system to keep track. And something that I can take with me when I am out looking at potential purchases. Mind you, I am not a tech savvy person so I need something simple. I have no idea what.

Do you have a suggestion?


I suggested LibraryThing, which is how I record my books, but I am not sure if LibraryThing can be used on a handheld device which can travel to bookstores.

Does anyone know?

And does anyone have any suggestions on how this fellow book collector can keep track of her books?


THE PRICE OF NONFICTION

Fiction is my first love and I spend most of my bookbuying budget in that area.

However, at this time of year, when people are recommending nonfiction books as possible Newbery or Printz winner, I usually do end up buying a couple factual books. And this year I’ve noticed a startling increase in the price of these books.

THE NOTORIOUS BENEDICT ARNOLD : A TRUE STORY OF ADVENTURE, HEROISM, AND TREACHERY by Steve Sheinkin is $19.99.


SUGAR CHANGED THE WORLD by Marc Aronson and Marina Budhos is $20.00.


And AN UNSPEAKABLE CRIME : THE PROSECUTION AND PERSECUTION OF LEO FRANK by Elaine Marie Alphin, is a credit card busting $22.95!


Stop the madness!

Does anyone know why informational books are so much more expensive than fiction? Has it always been that way, or is this a recent trend?

Also, I’ve noticed that at least one of these books employs a device I’ve never seen before. SUGAR CHANGED THE WORLD (which is truly a superb book – probably the year’s best nonfiction for young readers) includes some links to websites for supplementary material. For example, a reference to the music created by enslaved African sugar workers sends readers to a website where they can listen to the music. That is the perfect use for a website link. But I was taken aback to see the following note: “Many of the images reproduced in black and white in this book can also be found in color on the Web,” followed by a list of addresses. What’s the reasoning behind this? Is this a cost-cutting method or what? What’s next – no pictures at all...just blank spaces captioned by web addresses where readers can look at the pictures?


BACK STORY

One of the most highly-anticipated young adult novels of 2011 has just been released. I haven’t read ACROSS THE UNIVERSE by Beth Revis yet, but I picked up a copy on Friday due to the buzz I’ve heard.

Fans of dustjackets (dustjacket…a word that will disappear in the World of Kindle) will be intrigued by this one which includes a YA-friendly soft-focus (almost said soft-core) photo on the front with an embossed title:


Remove the dustjacket and the flip side includes a blueprint diagram of the Spaceship Godspeed, the interplanetary vehicle on which most of the novel’s action takes place:



Kudos to publisher Razorbill for utilizing what is often wasted white space to present something new and innovative!


FINAL THOUGHTS

'Twas the night before Newbery, and all through the house
Not a creature was stirring, except my Mac’s mouse;
Into every book-blog I was desperately peeking,
To see if some Newbery gossip was leaking.
The books in contention sat nearby, barely daring
To hope that tomorrow a gold seal they’d be wearing.
COUNTDOWN counted the hours, with an assist from THE CLOCKWORK THREE.
THE KNEEBONE BOY wondered, “Could the winning book be me?”
SUGAR CHANGED THE WORLD thought a medal would be sweet,
While TURTLE IN PARADISE hoped her author would three-peat.
KEEPER was optimistic and kept her hope afloat,
While a dark horse named DARK EMPEROR circled KEEPER’S boat.
SIR CHARLIE thought a posthumous prize might not be a bummer
While three sisters and a DREAMER bet on ONE CRAZY SUMMER.
Perhaps in a store or library, an unknown book sits on the shelf
Never discussed by Heavy Medal, nor considered by yourself.
Yet tomorrow it might just wear that gold seal of approval
While the aforementioned books await “remaindered” removal.
You never know at Newbery time, what book will take the prize
It may be totally expected, it may be a big surprise.
If the books you love don’t win tomorrow, then “phooey” to the choosers
(After all, the books you love can never truly be losers.)

Thanks for visiting Collecting Children’s Books. Hope you’ll be back later this week for post-award reflections and recaps!

Tuesday, December 28, 2010

An After-Christmas Blog

Christmas is past.

The new year is four days away.

And the Newbery and Caldecott Awards will be announced in thirteen days!

Time really flies at this time of year. I’m sorry it’s been so long since my last blog. I got caught up in Christmas preparations and suddenly it was December 25 and I hadn’t posted anything in nearly two weeks. Today’s entry is a random round-up of facts and opinions on children’s books old and new. But first, I have to say a word or two about Christmas in my new house….


YULE LOGS

Everyone loves a fireplace at this time of year and I consider myself exceptionally lucky to have two fireplaces in my new house.

There’s a gas fireplace in the living room. I turned it on Halloween night, then on Thanksgiving, and have been running it every night since the first snow of the season. When my brother came for Christmas, I was anxious to see how his dog Elgin would react to the fire. I’ve observed that most dogs are instinctively afraid of flames and figured that Elgin would stay far, far away from the hearth. I hadn’t considered the fact that his dog is always cold and loves to curl up in blankets and small pools of sunlight coming through the window. After feeling the warmth of the fire, Elgin camped out in front of the fireplace for the entire Christmas weekend!


Meanwhile, I had my own plans for the basement library. It also has a fireplace – though this one burns wood. About a week ago, I finally put the finishing touches on the library, adding a big recliner and a reading lamp. With my brother using my bedroom during his visit, I decided to sleep in my new chair. What better place to spend Christmas Eve, kicked back in a recliner, reading before an open fire? I didn’t make it downstairs until after 1:00 AM, then started my first natural fire. Okay, I cheated. I used a Duraflame log. Within seconds the fire was roaring. I picked up a book, sat in my recliner to enjoy the ambience. Here is a fifteen-second video of that peaceful Christmas Eve tableau:



The video is only fifteen seconds because that's about as long as the moment lasted. Within seconds, my Silent Night was jarred by an ear-splitting sound coming from the ceiling:

BEEP! BEEP! BEEP! BEEP! BEEP! BEEP! BEEP!

One of the smoke detectors was going off loud enough to wake the Ghosts of Christmas Past, Present, and Future!

I jumped up and began jabbing at the button on the smoke detector, but couldn’t turn it off. Next I tried to pry the plastic lid off the detector in order to remove the battery. As it turns out, this smoke detector is all wired together and, further, wired into the ceiling, so it does not utilize a battery. Ultimately, my brother and I had to muffle the stupid thing by wrapping a bath towel around it.

My brother noted that the basement did look a little smoky and asked me twenty-five times if I’d opened the damper before starting the fire. I assured him that I had and then, after he went back upstairs, I double-checked the damper. (Whew, I hadopened it!) So I sat back down in the recliner, picked up my book, and then heard someone yelp upstairs. No, it wasn’t Elgin-the-dog. It was my brother, yelping in shock because he saw an older man staring into his bedroom window.

No, it wasn’t Santa Claus.

Santa may also arrive at 2:30 in the morning on Christmas, but he doesn’t peer through your windows and then knock on your front door. And he definitely doesn’t wear a red bathrobe as he goes from house to house.

No, the man on the porch was my next-door neighbor, woken from his “long winter’s nap” to let us know that he smelled smoke coming into his condo. He thought our house was on fire! I explained that I had just started my first log-burning fire and he said, “We don’t have those kind of fireplaces here! They use gas!”

I told him that our basement fireplace did indeed burn logs, and he didn’t have to worry because the fire was contained. Contained? I always say the wrong thing. Always. What I meant was, “The house is not on fire. The fire is secure inside the fireplace,” but I think my words made it sound like, “The entire basement was on fire, but I’ve now beaten it back with wet towels and it’s contained in one small corner.”

The good news is that I’ve had several more fires since that night and have never again experienced excessive smoke, beeping smoke detectors, or worried neighbors. I think the problem occurred because it was the first time that fireplace had been used since I moved in – maybe the first time it was used in several years. But everything is okay now. I’m just sorry that I disrupted my neighbor’s sleep – especially on Christmas Eve. I guess I’ll have to make it up to him by re-gifting him and his wife a fruitcake or something. I’m just grateful he didn’t call the fire department. Can you imagine what a fine “welcome to the neighborhood” moment that would have been, with sirens blaring up to my front door at 2:00 AM on Christmas Eve?


A CHRISTMAS PRESENT

The next morning my brother gave me this book as a Christmas present:


He found it at a thrift shop for a dollar and, although he doesn’t know a lot about antiquarian books, he does know a lot about art – and he liked the illustrations. MASHA’S STUFFED MOTHER GOOSE was published by Garden City Publishing in 1946 and this copy was a stated first edition. It’s a collection of about 150 nursery rhymes – some familiar, some not. What makes the book unique is that the illustrations (in both color and black-and-white) depict the figures (Little Bo-Peep, Jack and Jill, Humpty Dumpty, etc.) as stuffed toys and dolls. I imagine that if this book were published today, it would automatically come with a “Stuffed Mother Goose plushie” as part of the deal. Does anyone know of another nursery rhyme book in which the characters are all depicted as stuffed dolls and toys? And does anyone know anything about “Masha.” At first I thought she must have been as famous as Cher, since she only went by one name too. But doing a bit of internet research today, I’ve discovered there isn’t a lot of info about her. But I did learn that her real name was Maria Simchow Stern and she holds a noteworthy place in the field of children’s books, as she illustrated the very first Little Golden Book, THREE LITTLE KITTENS, in 1942.


FROM CHRISTMAS TO NEW YEAR’S

Ironically, when I first opened MASHA’S STUFFED MOTHER GOOSE on Christmas morning, the book fell open to this verse:


I’ve heard this verse my entire life – but in a completely different context. I know it as this Christmas carol:

I saw three ships go sailing by,
On Christmas day, on Christmas day,
I saw three ships go sailing by,
On Christmas day in the morning.
And what was in those ships all three?
On Christmas day, on Christmas day,
And what was in those ships all three?
On Christmas day in the morning.
Our Saviour Christ and his lady
On Christmas day, on Christmas day,
Our Saviour Christ and his lady,
On Christmas day in the morning.
And all the bells on earth shall ring,
On Christmas day, on Christmas day,
And all the bells on earth shall ring,
On Christmas day in the morning.


I’ve also heard a version of the song that goes like this:

As I sat on a sunny bank, a sunny bank, a sunny bank,
As I sat on a sunny bank
On Christmas day in the morning,
I spied three ships come sailing by
On Christmas day in the morning.

And who should be upon those ships
But Joseph and his fair lady.
And who should be upon those ships
On Christmas day in the morning.

Oh he did whistle and she did sing,
On Christmas day in the morning.


This is the first time I came across the “New Year’s” version, which is secular in tone and talks about the speaker’s wedding…and to think I read it the first time on Christmas Day in the morning.


PARASOLS IS FOR LADIES

Friends and relatives often ask me about the value of their old childhood books. I always feel bad having to tell them that, while the books they owned may have been meant a lot to them personally, they are not really worth a lot of money now. But the other day an older cousin (older in that she was already grown up and married when I was born) mentioned one of her childhood books to me and I was able to give her some good news.

I had never heard of PARASOLS IS FOR LADIES before. Written by Elizabeth Ritter and illustrated by Ninon MacKnight and first published in 1941, the story concerns three African American sisters who want to own parasols and describes how they go about earning the money to buy them. My cousin, who taught grade school in the late fifties and early sixties, told me she used to take her copy of this book to school and read it to her classes. When she told me that the three sisters live with their “mammy” and the book is written in dialect, I knew this was a book a teacher would no longer share with her students today!


Doing a little research, I discovered that this title is notable as one of the few children’s books from the forties to feature African American characters – but of course controversial due to the dialect and stereotyped illustrations. And it’s now worth a surprisingly amount of money. One site lists eight copies for sale, ranging in price from $300 to $725. (For once I could tell a relative that one of her childhood books is worth a lot of money!)

Is anyone else familiar with this book?


AN ADULT BOOK OF INTEREST

I haven’t read it yet, but there’s a new adult book that might be of interest to fans of children’s book. It’s called MR. TOPPIT and the author is Charles Elton.


According to the author:

Fifteen years ago I began writing Mr. Toppit when I was a literary agent representing the estate of A.A. Milne, author of Winnie-the-Pooh. I learned the story of Milne’s son, Christopher Robin Milne, who grew to hate the fame his father's books brought him. To reshape that idea in a modern context was the single idea that was the genesis of my novel.

During the years I spent writing, another phenomenon occurred in the world of children's book publishing that made Winnie-the-Pooh's fame seem parochial: Harry Potter. Suddenly, my idea of a modern series of children's stories that take over the world did not seem so far-fetched. What had originally been conceived as a small story about my boy hero, Luke Hayman, suddenly made famous by his dead father's books widened into both an examination of the mechanics of fame and a strange journey towards a literary tipping point that has devastating consequences for the characters in my book.


Hmm…sounds intriguing.

Think I’ll track down a copy!


TWO RIVERS

And speaking of books worth seeking out, next week brings the re-publication of THE SECRET RIVER by Marjorie Kinnan Rawlings. Though the author’s THE YEARLING was published as an adult novel (and won the Pulitzer Prize for Fiction), it has been embraced by generations of young readers. THE SECRET RIVER was discovered among the author’s papers after her death and was published specifically for children. Praised for its haunting, surreal narrative and accompany Leonard Weisgard artwork, the title was named a 1955 Newbery Honor Book.


Now the book is being reissued with new illustrations by double Caldecott winners Leo and Diane Dillon:


Should be worth a look!


THE MISSING PIECE

Are you as sick of the “headless cover illustration” trend as I am?

I have discovered that, with some imagination and a little Scotch Tape, we can alleviate the situation by taping two dustjackets together to create one complete picture.

This week’s example involves two recent middle grade novels: JAKE by Audrey Couloumbis and BECAUSE OF MR. TERUPT by Rob Buyea.

Individually, these cover illustrations seem incomplete. But tape them together and...well, now we’re getting somewhere!




BORDERS GOES BYE-BYE

The very first Borders is located in Ann Arbor, Michigan. When I was growing up, I loved visiting Ann Arbor, which was about an hour from where I lived in Detroit, and spending time in that one-of-a-kind store. As time went on, Borders expanded all across the country and was no longer a one-of-a-kind store. In fact, there are now FOUR different Borders stores within ten miles of my house. Although I usually spent my money at the local independent bookstore, there was definitely something to be said for Borders long hours and big selection and I have definitely bought quite a few books there over the years. In recent months, I’ve been reading a lot about Borders experiencing financial problems, but I was shocked when they decided to shut down the closest store to my house. Driving by yesterday, I saw the sign that said “STORE CLOSING. ONLY NINE DAYS LEFT. 40% OFF EVERTHING!” so decided to stop in.

I kind of wish I hadn’t.

Is there anything more miserable than a bookstore going out of business?

First off the entire huge children’s section was CLOSED – with a barrier of empty shelves and furniture blocking access to that section of the store.

All of the fiction shelves were stripped bare.

Scattered here and there throughout the store were a handful of free-standing shelving units containing a variety of leftover, marked-down books that nobody wanted.

It was a sad sight – and I hope not a trend for the future of books and bookstores.


AIMING AT DUCKS

Since we’re on the subject of trends, I was intrigued by a discussion of trends and “marketability” in children’s books that recently turned up on the Horn Book’s “Read Roger” blog.

Michael Grant, who co-wrote the Animorphs series and recently wrote the YA “Gone” series, contributed the following remarks:

Since you asked, here's what I know about the market. It's like duck hunting. (No, I don't shoot ducks.) You don't aim at the duck as it's flying, you aim just in front of the duck. You lead the target. Don't shoot at the vampire, do what my friend Michael Stearns (with Lauren Kate) did, guess what might be next and shoot an angel.

Another example: just before we sold Animorphs everyone was telling us to go after RL Stine's Goosebumps because MG horror was the big thing. We said, no way. First, it would be derivative. Second he owned an existing market and we doubted we could take him. Third, trends have a life span. 5 years give or take and the 5 years was about up. So we led the target, guessed sci fi and shot a duck.


Mr. Grant’s remarks have sure gotten me thinking.

Yeah, right now it’s all about vampires and the undead and dystopias, but where are children’s and young adult books headed in the next couple years?

What trends can we expect?

If you were going to aim “just in front of the duck,” what would you shoot at?

I’m thinking the dystopia thing has just about worn out its welcome. But what comes after controlled, doomed societies? Maybe stories of rebirth? I’m not sure exactly what that means or how it would play out literarily…. Hopefully not in a spate of novels on teenage mothers. (Though with the recent TV interest in “teen mom” TV shows – not to mention the popularity of Bristol P – I would not be surprised.)

I also wouldn’t be surprised if our current economic woes found their way into children’s books. I guess it could happen in one of two ways – we could either see a trend toward historical fiction in which long-ago characters face impoverishment (i.e. the Great Depression, the first settlers, etc.) or we could go in exactly the opposite direction. During the Depression of the 1930s, many movies featured wealthy society types…so maybe children’s books will also focus on the rich and privileged as a form of wish fulfillment.

It seems like many trends just take current literary themes and view them from a different angle. One classic theme in children’s books is MICE. There’s Stuart Little and Lily and Poppy. There’s a mouse on a motorcycle and another one eating a cookie. Redwall is infested with them. And now I see Lois Lowry’s got a new mouse story coming out. It's a standing rule of children's literature: If you’re despereaux to write a hit book, write about mice! But the thought occurs to me that no one has ever written a YA problem novel about mice. Could that be a future trend? Teenage mice misunderstood by their parents. Delinquent mice. Mice on drugs. Adolescent mice concerned with body image issues (“Is my tail long enough? Why won’t my whiskers grow?”) Clique-ish mean-girl mice attending Rodent High. Pregnant teenage mice (“One moment of passion and now she has a litter of fifteen mouths to feed.”)

It’s an idea.

Okay, I didn’t say it was a good idea, but it’s an idea.

What trends in children’s books do YOU see coming in 2011 and beyond?

Sunday, December 12, 2010

Brunch for a Snowy Sunday

Today's brief Sunday Brunch identifies three valuable books for collectors, uses reverse psychology on a popular Mock Newbery contest, and includes a list of all the celebrities who have promoted children's books on the American Library Association's READ posters.

HERE IN THE MIDWEST...


The roof of the Metrodome has collapsed in Minnesota.

Parts of Illinois and Indiana are under a winter storm warning.

Where I live, just north of Detroit, they are predicting four to eight inches of snow later this afternoon.

Here's what it looked like out my back door this morning:


I just hope the muskrats are warm in their house out on the pond:



"IT'S SNOWING" IN YOUR HOUSE?

Incidentally, are you familiar with the 1957 Edith and Thacher Hurd book pictured above? Do you by chance have an old copy of the book at your house?

If so, you could be sitting on a gold mine.

Nice first editions of IT'S SNOWING sell for $250-$400!

And if you think that's a lot, how about this book by the Hurds:


Published in 1956, first editions of MARY'S SCARY HOUSE are usually priced between $450 and $600.

While tracking down images for the two Hurd books, I came across this totally unrelated dustjacket for a 1967 book called THE GHOST OF OPALINA, OR NINE LIVES by Peggy Bacon:


If you ever find a copy of this book, snatch it right up. First editions sell for $450 to $1000!

All three of these titles are good examples of books that never won any awards or prizes, aren't popular enough to remain in print today, yet are still so well-loved by readers that collectors are willing to pay hundreds or thousands of dollars for them.



OH, I HOPE KNEEBONE BOY WINS TODAY!

Today's the day that the Heavy Medal folks convene at the Oakland Public Library to choose their Mock Newbery winner.

Their shortlist includes:

KEEPER by Kathi Appelt
THEY CALLED THEMSELVES THE KKK by Susan Campbell Bartoletti
SIR CHARLIE by Sid Fleischman
THE KNEEBONE BOY by Ellen Potter
THE DREAMER by Pam Munoz Ryan
DARK EMPEROR by Joyce Sidman
A CONSPIRACY OF KINGS by Megan Whalen Turner
ONE CRAZY SUMMER by Rita Williams Garcia

My first thought was that I'll probably throw up if the winner turns out to be THE KNEEBONE BOY (also known as MENTAL ILLNESS CAN BE FUN!, subtitled "AND IF YOU THINK MUM IS NUTS, WAIT TILL YOU GET A LOAD OF MY MUTE BRO, MY DAFFY AMERICAN AUNT, AND ME, A GIRL WHO'S IN LOVE WITH A PICTURE OF HER MOTHER IN DRAG."

But the more I thought about it, the more I began hoping that KNEEBONE BOY does win the prize.

Why?

Because the winners of the Oakland Mock Newbery never seem to actually win the real Newbery Award .

2010's prizes are a perfect example. WHEN YOU REACH ME was as close to a sure-winner as possible. But it was only named a Mock Honor by Oakland, joining other Mock Honors CLAUDETTE COLVIN and MARCHING FOR FREEDOM, as the top prize went to WHEN THE MOUNTAIN MET THE MOON by Grace Lin.

2009 was an oddball year as well. Oakland's Mock Newbery went to THE PORCUPINE YEAR, with Mock Honors going to AFTER TUPAC AND D FOSTER and ALVIN HO : ALLERGIC TO GIRLS, SCHOOL AND OTHER SCARY THINGS.

2008's mock winner was ELIJAH OF BUXTON by Christopher Paul Curtis, with honors going to THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN; GOOD MASTERS! SWEET LADIES!, and THE WEDNESDAY WARS by Gary D. Schmidt.

2007's top title was A DROWNED MAIDEN'S HAIR by Laura Amy Schlitz, with Mock Honors going to ALABAMA MOON, THE KING OF ATTOLIA, and A TRUE AND FAITHFUL NARRATIVE.

One has to go all way back to 2006 to find a year when Oakland's Mock Newbery pick, CRISS CROSS by Lynne Rae Perkins, went on to actually win the Newbery. (The Mock Honors that year were HITLER YOUTH, A WREATH FOR EMMETT TILL, JOHN LENNON, and SHOW WAY.)

Of course noting the fact that the Mock awards almost never match the real prize in no way disparages Oakland's selections. It just proves that, when you have two groups of people discussing a similar slate of books, they may well choose different winners due to any number of variables. Personally, I think Oakland's 2007 winner, A DROWNED MAIDEN'S HAIR, was a brilliant selection which actually should have won the official Newbery that year. On the other hand, Oakland's 2009 winner, THE PORCUPINE YEAR, pretty much stinks.

Stay tuned for the Mock winners at Heavy Medal tonight or tomorrow. And the real winners will be announced on January 10.


BETTE MIDLER AND DR. SEUSS

Yesterday I recorded a movie off TV called THEN SHE FOUND ME. It starred one of my least favorite actresses, Helen Hunt, as a 39 year old woman who had been adopted as a child and was now desperate to have a baby of her own.

Early in the movie, Helen is surprised when her birth mother turns up and wants to have a relationship with her. The birth mother is played by Bette Midler. During their first meeting, Bette recites a Dr. Seuss verse to Helen. She is surprised to learn that Helen's adoptive mother never read Helen that book.

On the one hand, it's always nice to see a reference -- any reference -- to a children's book in a big screen movie.

But, as usually happens, the movie got it wrong.

The book Bette quotes from is OH, THE PLACES YOU'LL GO -- the last book Dr. Seuss published in his lifetime.

THEN SHE FOUND ME was filmed in 2007.

Helen Hunt played a 39-year-old...meaning she was born in 1968.

OH, THE PLACES YOU'LL GO wasn't published until 1990.

So Bette shouldn't have been surprised that Helen's mother had never read her this book.

It wasn't published until Helen's character was 22 years old!



SPEAKING OF BETTE....


Did you know that Bette Midler was one of the earliest stars to jump on the "celebrity books for children" trend? In 1983 she published THE SAGA OF BABY DIVINE, a picture book about a baby who looks a lot like Bette Midler in diapers. She also wears a boa and high heels and her first word is "More." Unlike most of the pedantic celebrity books published in the years since, this is not a flat-footed and patronizing story directed at teaching kids a lesson, but more a faux children's book that uses colorful illustrations and rhyming text to speak to Midler's adult fans. One of those adult fans would post the following blurb on Amazon.com many years later: "A pentameter that rivals Seuss in creativity, timing, and rhyming," but the Boston Globe was a little less starstruck in this contemperaneous review: "Dr. Seuss doesn't have to stay awake nights worrying about being tumbled from the throne as the dean of children's books."


READ!

Bette Midler was shown cradling a copy of THE SAGA OF BABY DIVINE in one of the American Library Association's READ posters.

Bette was one of the first four celebrities (the others were Bill Cosby, Mikhail Baryshnikov, and Sting) photographed for the inaugural READ posters in 1985. Since then, nearly 200 actors, musicians, athletes, and other famous names have been featured in the long-running series.

Some are photographed alone, some are holding adult books.

Which ones were shown holding specific children's titles?

Here's a list:

Bill Cosby / TREASURE ISLAND by Robert Louis Stevenson / 1985
Goldie Hawn / GOLDILOCKS AND THE THREE BEARS by Lorinda Bryan Cauley / 1986
William Hurt / DID I TELL YOU HOW LUCKY YOU ARE? by Dr. Seuss / 1988
Kirk Cameron / THE LION, THE WITCH, AND THE WARDROBE by C.S. Lewis /1990
Denzel Washington / GREEN EGGS AND HAM by Dr. Seuss / 1991
Macaulay Culkin and Anna Chlumsky / HOW THINGS WORK by David Macaulay / 1991
Alec Baldwin / THE ADVENTURES OF HUCKLEBERRY FINN / 1992
Michael Chang / CURIOUS GEORGE TAKES A JOB by H.A. Rey / 1992
Michael Keaton / THE YEARLING by Marjorie Kinnan Rawlings / 1992
Whoopi Goldberg / NICHOLAS CRICKET by Joyce Maxner / 1992
Marlee Matlin / ARE YOU THERE, GOD? IT'S ME, MARGARET by Judy Blume / 1994
The movie cast of LITTLE WOMEN / LITTLE WOMEN by Louisa May Alcott / 1995
Barbara Walters / THE LITTLE PRINCE by Antoine De Saint Exupery / 1996
Courney Cox / Heidi by Johanna Spyri / 1996
The movie cast of MATILDA / MATILDA by Roald Dahl / 1996
Brandy / THE CAT IN THE HAT by Dr. Seuss / 1997
Cindy Crawford / THE HOBBIT by J.R.R. Tolkien / 1997
Rosie O'Donnell / BEEZUS AND RAMONA by Beverly Cleary / 1997
Kim Basinger / THE VERY HUNGRY CATERPILLAR / 1998
Muhammad Ali / GOLDILOCKS AND THE THREE BEARS by Jan Brett / 1998
Rebecca Lobo / THE GIVING TREE by Shel Silverstein / 1999
Regis Philbin / TREASURE ISLAND by Robert Louis Stevenson / 2000
Tara Dakides / WHERE THE SIDEWALK ENDS by Shel Silverstein / 2000
Britney Spears / HARRY POTTER AND THE SORCEROR'S STONE / 2001
Dr. Ruth / THE POKY LITTLE PUPPY and CURIOUS GEORGE / 2001
Mike Mussina / CASEY AT THE BAT / Ernest L. Thayer / 2001
Yo Yo Ma / GOODNIGHT MOON by Margaret Wise Brown / 2001
Missy Elliot / A CHAIR FOR MY MOTHER by Vera Williams / 2003
Jeff Corwin / MY SIDE OF THE MOUNTAIN by Jean Craighead George / 2004
Renee Fleming / ANTHOLOGY OF FAIRY TALES by Hans Christian Andersen / 2004
Rick Bayless / BETTY CROCKER'S COOKBOOK FOR BOYS AND GIRLS / 2004
George Lopez / OH, THE PLACES YOU'LL GO by Dr. Seuss / 2005
Ice Cube / THE GREATEST by Walter Dean Myers / 2005
Jamie Kennedy / WHERE THE WILD THINGS ARE by Maurice Sendak / 2005
Mat Hoffman / DUCK ON A BIKE by David Shannon / 2005
Ben Roethlisberger / THE GIVING TREE by Shel Silverstein / 2006
Dakota Fanning / CHARLOTTE'S WEB by E.B. White / 2006
Kelly Ripa / THE LION, THE WITCH, AND THE WARDROBE / 2006
Ewan MacGregor / THE COMPLETE TALES by Beatrix Potter / 2007
Sendhil Ramamurthy / THE TOWER TREASURE by Franklin W. Dixon / 2007
William H. Macy / CURIOUS GEORGE by H.A. Rey / 2007
Abigal Breslin / MEET KIT by Valerie Tripp / 2008
Eva Mendes / A LIGHT IN THE ATTIC by Shel Silverstein / 2008
Kareem Abdul-Jabbar / THE ADVENTURES OF HUCKLEBERRY FINN by Mark Twain / 1008
Rachael Ray / THE STINKY CHEESE MAN by Jon Scieszka / 2008
Robert Pattinson and Kristin Stewart / TWILIGHT by Stephenie Meyer / 2008
Hugh Laurie / TREASURE ISLAND by Robert Louis Stevenson / 2009
America Ferrera / A SEPARATE PEACE by John Knowles / 2009
Cole Hamels / ERAGON by Christopher Paolini / 2009
Ne-Yo / THE GRAVEYARD BOOK by Neil Gaimon / 2009
Brenda Song / CHARLIE AND THE CHOCOLATE FACTORY by Road Dahl / 2009
Taylor Lautner / NEW MOON by Stephenie Meyer / 2009


SCARY BOOKS, SEVENTIES STYLE

Does anyone remember this suspense novel for teens from the seventies?


Everyone wanted to read it when I was a kid.

It was the combination of the alluring title and creepy cover illustration...the promise of crank calls...accidental death...teenage guilt...suspense...and the guy in the middle looked like Elvis....

It was wildly popular in paperback, but I don't think I ever saw the hardcover edition until a few years ago. I wonder how popular the book was in hardcover, considering what a mess the cover illustration is:


I actually think this scan improves upon the original illustration. It smooths out the fuzzy borders, tones down the blotchiness of the colors, covers up the places where the color goes outside the lines, and in general gives the image a more polished appearance. If you could see the actual hardcover book I'm holding in my hands right now, you'd notice all these irregularities -- and more. The book was published in 1971 by Dodd, Mead -- not exactly a fly-by-night publisher with no budget for art and design. So why did this title end up with a cover that looks like an untalented nine-year-old drew it with a handful of magic markers?

I guess it really does prove that "you can't judge a book by its cover," as Edith Maxwell's novel is actually quite entertaining and would be enjoyed by readers of Lois Duncan's books such as I KNOW WHAT YOU DID LAST SUMMER.

Every time I think about one of the books I enjoyed as a young reader, I wonder if it could be re-published for today's kids.

Right off the bat, I'd have to say this one would never get an audience.

Today's kids couldn't get past the title.

JUST DIAL A NUMBER?

What does "dial" mean???

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